Wednesday, March 30, 2022

School day


Alarm sounds beep

The birds fly free

I wake up with glee

But I want to scream

Another day to see

New things to read

What now to flee?

My life isn’t so neat

Even though I have everything I need

Not riches but seeds


I get ready for school

My nerves are finally cooled

I walk as I hang onto my Flute

Ready to stay mute

In the cafeteria, My sister grabs a fruit

I just stand there as if I had roots

On our way, each path we’d find a small group

I felt cooped

But then I got introduced

I felt like we were going in loops


-By Lesly Mendoza-Martinez

Wednesday, March 23, 2022

I'm sorry

By Alex Hanna

Maria wrung her hands together as she waited. The heavy iron pot that rested on the stovetop was taking longer to boil than usual, and Nicholas was getting impatient. She cooed at the young boy, hefting him to her chest as she did.


Nicholas, she twirled his name like a thick vapor on her tongue. Nicholas, are you hungry? His

eyes were filled with a deep longing, and her heart stung, her thoughts flurrying: How long had it

been since his last meal? He feels lighter than he did yesterday, doesn’t he? She glanced at the

yellowed clock sitting on the crooked shelf to her side, and clicked her tongue. Night, already?


She brushed the thin black hair from his forehead and pressed her palm to his head. She frowned, her brow furrowing slightly, and placed him back on the cold tile. He coughed once before wandering off, content with the affection she afforded him.


She glanced at the clock once more, and steeled herself for the face resting just behind it. She had placed Nadia’s picture just out of sight, for her own sake, so she would only catch the eyes of those who looked for her. It became almost monotonous, the heartache– the shallow breaths and misted eyes had become second nature to Maria, and she had reluctantly begun to allow herself the weight, letting it envelop her completely, if only for a second. Misery to her was like a sweet wine– in moderation, it was a luxury; in excess, damnable. In her stupor, the pot had boiled over.


No! She pulled an old cloth from the waistband of her skirt with such vigor she heard a light snap– she cursed to herself, adding sewing to the long list of chores she could never get to the bottom of. She grabbed the pot with the rag, shut the burner off, and managed to reach a worn wooden spoon with a single, heavy breath. She yelled more at herself than the water that had somehow managed to scald her now red hand, but it felt good to yell. The small added rush of adrenaline made her feel alive– another beckoning fog to be swallowed by, another feeling to push away. Just focus. She took a breath in, steadying her now trembling hands.


The water had cooled by the time she regained herself, but she didn’t care. Her stomach ached with hunger but her eyes were heavy with a deep depression. She would be fine in the morning, should she wake. She had to be. She climbed the steep stairs to the loft, her mind drunk with the lure of sleep. Nicholas could wait.


The next morning, Nicholas lay still in his makeshift bed by the stove. There was only one mattress in the house and his mother wouldn’t let him sleep with her. His face was half covered by a thin quilt that smelled of dust so strongly it had taken years to grow accustomed to the aroma– it was rare that he would break into a fit of coughing but, to his dismay, Nicholas began to wheeze.


In the night, he had shifted to be mere inches from the dying embers of the stove. He moved his arms, the thin, pale stalks stretched towards the cracked and uneasy ceiling. He felt weak and the once-crisp outlines of his vision now blurred. Still, he managed to stand, making his way to the big bay window above the cupboards.


Maria often scolded him for using the shelf as a foothold, scared he would break a glass or two– that, and the pale green paint chipped often, embedding itself into the legs of his overalls so firmly she would have to scrub the already worn denim for hours to get the color out.


Nicholas hesitated, his wide eyes scanning the stairs, waiting for any sound: nothing. He planted his hands firmly on the counter, one foot placed ready. He raised himself to the edge, allowing himself a moment of free air, and fell softly to the surface. Content now, he sat, one leg crossed over the other, and pressed his forehead to the cool window; outside, the sun was just beginning to rise.


He scanned the barren farmland, looking awestruck. The sky turned from a delicate, whispering gray to a brilliant gold, and the last twinkling stars were hushed back into the anonymity of blue, Nicholas felt a dull wave of water-colored loneliness sweep within him. He didn’t remember his sister completely, he couldn’t have, but he did feel a pull in his stomach when he thought of her. He knew from watching his mother that Nadia was not something to be talked about, but a way to feel. She took care of him often, he thought, until she didn’t. He couldn’t think of what happened to her, and felt a vague remorse about his inability to ever find out. Looking back to the stairs, he knew his mother was the only person he could depend on to ease his sadness.


Maria had not stirred since the night before. The weight of utter failure and fast approaching exhaustion kept her still and quiet, but awake. During the night, when those long hours in darkness had covered her completely, she lay silently, thoughtless, her eyes to the ceiling. She had made the attic room lightless, but, in blocking the light, she had also blocked any and all airflow– it was like sleeping in the thick humidity of a hot spring. She didn’t mind, though. Years of starvation had stripped her of any natural warmth she might’ve had, and she had quickly grown accustomed to the constant chill she now felt. In the attic, in her room, though, she felt warm. It reminded her of better days: curled into her mother as they waited for dough to rise or soup to heat– they were always in the kitchen. Will I ever be a good mother? The thought, so tangible and bitter, tumbled through her mind until morning. 


Hours later, a small, timid voice called from the doorway: Mama? The sun had risen above the mountains, and playing to her deepest fears, another day had begun. She faced away from the door, lying still and breathing lightly. Maybe, if she didn’t move, if she didn’t make a sound, he would leave. She couldn’t get up just yet, not now; it had hardly been nighttime, why now had the day come for her? Her body begged for rest and her open eyes stung– she would try again come noon. Nicholas knew not to wake his mother– she desperately needed the rest, an escape, no matter how momentary, from daily life.



Around the room, his eyes now accustomed to the thick black darkness that blanketed the room like snow, his attention was drawn to the thin shape of his mother draped in cloth. Her knees were pulled to her chest, and, though her back was to him, he knew her face was stained with tears. There was no furniture in the room– the floor couldn’t handle the weight– but every few feet lie a trinket, small and unguarded. Worn novels, their covers often torn and creased; photographs, the subjects grim and serious; pieces of clothing, small and white, lined with lace– it was all the things his mother loved most. Closest to the doorway was a small stuffed rabbit. Its once-white linen had turned a moorish yellow, but the old eyes that stared back at Nicholas seemed to be filled with a vague air of love, though the expression was blank. The rabbit was

wearing overalls, too– Maria had made them long ago, spending her last few coins on the rose colored buttons. There, she had said, Nadia sat in her lap. The now-gone work table was home to the spilled contents of her sewing kit. Now he’ll be able to see you.


Hours later, the sky was calm, the endless depths of blue hanging heavy above him. The

clouds wove themselves between the thin, lonely juniper trees dotting the mountains lining the

horizon. Nicholas had spent the crisp morning roaming their land, careful to stay within the confines of the old wooden barriers to make certain he didn’t get lost. They had less than a

hundred acres to their name, but it was enough to lose sight of their home. Even now, the house

was a hazy dream in his eyes, its slanted boards and sagging windows swaying between nonexistence and shadow. He wasn’t afraid, though. After all, just today, he had fought fierce beasts, slayed great monsters, met an array of loyal companions, and had saved the rabbit from certain doom countless times.


He sat in a great tree now, one of the few that had branches low enough for him to reach. His legs swung free in the wind, and he sat content, the rabbit held close to his side. He told him stories and secrets alike, oftentimes mixing the two, and, when that lost its sparkle, he sat peeling the smooth, pale bark from the wood. Holding it out in front of him, a warm breeze would send the small pieces sailing to the stiff grass and weathered stones that littered the ground. The air was sweet and clean, but an odd smell of spice on the wind had caught his attention. He perked, his head turning towards the scent. There, just above him, were small berries, all varying shades of dark blue and green– he was transfixed.


Grasping the thick trunk, Nicholas stood. He stretched as far as he dared, but he could only barely reach them on the very tips of his toes. He knew he couldn’t balance should he take his hand off the trunk, but he couldn’t give up. The dull, gnawing hunger he often felt had grown to a deep ache in his chest. His hands trembled as he sat back down. Looking at the rabbit, he had a sudden burst of inspiration: grabbing the soft toy from where it had lain beside him, he hefted himself back to his feet. He tossed it at the needles, and a handful of berries and twigs fell to the hard ground below him, just like the bark had. Elated, he scurried to the bottom, retrieving the rabbit, and repeated the process.


Maria slept heavily. It was the kind of sleep that immerses you so completely it’s only after you wake you realize you had dreamt at all. She moved constantly, tossing and turning, her breath irregular, until, finally, she sat up. She could feel the day creeping just outside of her consciousness, a stalking, starving beast waiting to pounce. The guilt of leaving Nicholas to fend for himself shadowed her completely. What kind of mother– She stopped. The pattern of self loathing and guilt wasn’t sustainable, she knew that. But it wasn’t enough to feel the deep absence of hatred; she had to fill that void with love, for herself and her son. 


He was surely starving by now, laying weak in his bed, resenting her for never being enough. For never giving all she has, but what she can. She would make it up to him, starting today: they would have breakfast together, and life would go on. She could do it, not because she had to, but because she wanted to be better.


In her wave of confidence, Maria didn’t notice the missing rabbit before making her way down the steps. She didn’t notice that, though Nicholas was small for his age, his bed was much too flat to have still been hiding him, either. She paid no mind to the new chips of paint that were scattered around the window, either, and she certainly didn’t bother to look out of said window.


Had she, she might’ve seen Nicholas fall, pale and clutching his stomach. Instead, she pasted a weary smile across her face and put on a tattered apron she had been saving for a rainy day. The woman had a newfound determination, and rolled her loose sleeves to the elbow, tying her greased hair into a bun.


She stood idly, her emotions mixed: of course she was proud of the stubborn, forced confidence she now radiated, but a familiar apprehension had begun to creep towards her, the doubt eroding any certainty or control she had felt. After all, it had been weeks, if not months, since she had last been to the market. With her constant exhaustion, she knew she couldn’t make the journey now: should she have begun her trek with the sunrise, she would’ve made it home just before nightfall. She had often heard scratching in the silence that often plagued her, and now had little doubt that rats had made off with what was left of their food. All she found was a near-empty bag of flour and, to her luck, a jar of sweet preserves covered in cobwebs.


Nicholas cried out, his desperate words lost to the rising bile filling his throat. He began to shake, his body convulsing wildly, and he felt the sharp pain of the rocks beneath him as they cut into his back. The rabbit lay at the base of the tree, its empty eyes watching. It felt like a dream, like Nichloas was underwater. Time moved slowly, each flail and cut seeming long and drawn out. And, though it felt like hours, the boy would die in minutes. Was he being punished for his gluttony? His selfishness in not sharing the bittersweet berries with his mother? Worse than the pain was the guilt and shame he now felt.


Maria hummed as she worked, mixing the handfuls of flour with water from the old stone well outside to form a thin white paste. The repetition of mixing and the cool wet dough on her hands became meditative after some time.


Maria smiled, a real, honest smile. The pancakes were cooking nicely, turning a soft golden brown. Nicky is going to be so excited. She glanced out the window, feeling a peculiar kind of dread. Her stomach tensed, but she only sighed. I can’t ruin this for myself. She knew the allure of grief was circling her like a vulture: it would be so easy, feel so good to let herself fall apart– but she wouldn’t fall victim, not again.


By now, the boy’s throat had closed completely. His bloodshot eyes were wide with fear, and he knew his mother wouldn’t come to save him. For all he knew, she was fast asleep upstairs, grateful to be away from him. Mama, he thought, his vision growing dark, I’m sorry, I’m so sorry.


She laid out two plates with a pancake on each, and opened the jar of strawberry jam, careful to clean the dust from it first. She knew Nicholas would want to spread it himself, so she placed the open jar on the table, and sat their only silver spoon next to it. The pancakes were cooling fast, so Maria hung the apron back on the nail by the shelf. She paused. Moving the clock aside, she picked up the wood-framed picture. Nadia. She placed the photo on the table, too– This is a family breakfast, after all— and wiped the tears from her eyes. It was time.


She opened the front door, feeling the noon sun bathing her face in warmth. Nicholas, I made you breakfast! Only the birds answered, their distant chirps the only sound. Louder, she called again: Nicholas, it’s time to come in! Again, the subtle fear returned, and she yelled once more: Nicholas!


She didn’t know then, but he would never answer.


Monday, March 21, 2022

Haikus

Springtime is coming

Many flowers are blooming

Goodbye to winter


Cole Jackson-Paige


Skeletons clatter

Zombies groan relentlessly

Ghosts more ‘round drifting


Amelia Fuentes Figueroa


I don’t know how to

write a haiku so I’m just

writing random things


Daniel Chen


The wind is cold and

the eerie whisper sounds like

winter is coming.


Dailyn Bautista-Bautista 


The day just started

I’m getting up and ready

I hope my day’s great


The day is ending

My eyes are getting lazy

It’s time for bed now.


Abigail Flores


Wind shaking the trees

Feet are touching the fresh grass

What a lovely day


Trinity Harris


Summer, time for fun

Swimming at the pool all day

Making smores at camp


Sierra Campbell




Thursday, March 10, 2022

The Tragedy of the War of the Five Kings


A review of George R.R. Martin's book series

By Tristan Pagan

George R.R. Martin’s Game of Thrones and A Song of Ice and Fire are great works of fantasy fiction - complex stories with a ton of interweaving characters and plot lines, filled with epic battles on a large scale, including battles of wits. It is easy to get caught up in all of that and forget that at its core it is a tragedy. Many of the more morally upright characters die horrible deaths or at best simply survive to the next book. The bad guys eventually die equally horrible deaths, but not before doing so much damage that in the end you feel they got off kind of easy. And what often causes the tragedy at the heart of Game of Thrones are not the bad decisions characters will make; it is war. Game of Thrones and George R.R. Martin are aggressively anti-war. War in Game of Thrones is often portrayed as a morally gray affair that hurts everybody involved. Whether or not you die in or survive it, you are always left with scars.

Tyrion and Davos: Moral ambiguity

One of the core themes of a Song of Ice and Fire is moral ambiguity. Much of what keeps us watching/ reading is wondering what will happen to each of our favorite characters. We want to know what will happen to Tyrion, Davos, Catelyn, Stannis, Jamie and Dany. And what keeps us in suspense is knowing that most of the characters on that list can’t succeed until some other character on that list is dead. A good example of this is Tyrion and Davos. Tyrion and Davos are both on opposite ends of the War of the Five Kings. Both are likable characters. Both are fighting for somewhat valid reasons. Tyrion for his family and Davos because he believes Stannis is a just king. I like that the books often portray both in a sympathetic light. Many war stories often seek to portray war as bad and how there are good people on both sides but often in movies and shows we only see one point of view through that war.

A Song of Ice and Fire is one of the few series to show multiple points of view in war. In one chapter you are rooting for Tyrion as he fights against Stannis’ soldiers and the next you are horrified when he blows up half of Stannis' fleet causing Davos' sons to die horribly. This shows how good people can get wrapped in a war they have no business fighting. Like how Tyrion wants to gain respect and love from his family so he helps fight a war he knows is unjust.

What is tragic is it all ends up being for naught. Tyrion longs for the love and appreciation of his family, but after he wins the Battle of Blackwater he ends up getting no love from his family.

Davos loses all his sons in the Battle of Black water and gets most of his sons killed. He is haunted by guilt for the rest of the series over their deaths. It reflects how often soldiers will go into war enthusiastic about fighting but will come out of it scarred and cynical.

Stannis, Robb, Joffrey, Balon and Theon: All for naught

The kings involved in the War of the Five Kings do not really fare much better than the soldiers they send to die. They all either die humiliating deaths or lose everything they love. Joffrey starts the war because he wants to appear as a strong king who will execute all his enemies. This thought process causes him to fight in the front lines in the Battle of Blackwater only to nearly get himself killed. He sends tons of soldiers to die for his own idiocy and ego trip. And yet he wins the war despite fleeing from the only battle he was a part of, only to get poisoned later. I like Joffrey's arc through the series because it just shows how he changes. He wanted to appear strong and masculine like his father was, only to be humiliated in battle.

Stannis kills his own brother to help his chances of winning the throne only to lose the Battle of Blackwater along with his best chance of winning the throne. Stannis is a just person and would likely be the best king out of all the five kings, but he loses due to him being too bitter to back up his brother's claim to the throne. I am not saying Renly had a proper claim to the throne. He didn't and I hate him. However, Stannis often talks about how he does things for the good of the realm, but the best thing he could've done was to team up with Renly or Robb to help take the throne. He comes to regret his decision of killing his brother and this shows how good people can commit atrocities if they think it is just. But Stannis lost anyway. 

Theon betrays his family (not the Greyjoys; his real family is the Starks) to impress his father Balon only to get captured and realize he hurt people and ruin all his family’s lives for no real reason. Theon's story shows how war can often tear people apart. He wanted approval from his father but learned too late that his real family was the family. And does Balon achieve for his people. He just wants some more land, gets it, then loses and dies much later. Balon represents all the wars that were fought because an imperialist country wanted more land and ended up ruining thousands of lives and killing thousands. Theon never goes so far as to actually commit war crimes but he does do bad things just to hold a piece of land he doesn't care about for Balon who doesn't really care about or its people either. Balon also dies a pointless death. Being killed by Euron. 

I like how most kings who start the War of Five Kings and are the bad guys who don't die in the war. Joffrey or Balon are not putting their lives on the line. It is only people like Davos, Theon and Tyrion who end up getting their lives ruined for no reason. It is the little people that get their lives ruined. Most leaders who vote on wars are never on the front lines of war or are even affected by it in any real way. This has been getting worse recently with the advent of drone strikes allowing for people to be killed halfway across the world and disconnected from the consequences.

Robb is probably the only king other than Stannis who is declaring war for a just reason. He wants justice for his father who was killed and wants independence for his people. Unlike most of the other kings except for Stannis (in the show) he rides with his men into battle and fights alongside them. He treats his men with respect and tries to do right by them. But he is continually screwed over due to that fact. His men kill some Lannister children he has hostage. He executes them for killing children only for a decent amount of his men to desert because of that.

I like that as cool as Robb is and how many battles he wins, he is still just a kid. He constantly has his mother Catelyn fussing over him after battle and giving him advice.

If you like action and aren’t opposed to violence in fiction, you will enjoy these books. By the end of book 3, the crows have many bodies to feast on.

Friday, March 4, 2022

Does watching romance movies make people more romantic?

 By Sara Blowers

Many teens and young adults often watch romantic sad movies and romantic comedies on their Friday nights to set a mood for their future dreams. When browsing for a movie we often see When Harry Met Sally, 10 Things I Hate About You, Notting Hill, The Notebook, Call Me By Your Name, and The Perks of a Wildflower. These movies create waterworks when you tell people “I’m not crying, I just have something in my eye”. Whether or not you have seen these movies or not, I can almost guarantee you have seen them on any social media platform for being very romantic and “bringing back chivalry”. But it does let one question linger, does watching romantic movies make people more romantic?

            While watching movies that involve love with your significant other does bring the bond closer, why can that be? Many couples can find that there is a positive impact on the type of movie they watch together. Comedies make your sense of humor at a wider range, making you love your partner’s funny side more. Horror movies can help you become physically closer with each jump scare creates a sense of trust between you and your partner. And romantic movies make you feel more in love with your partner even if you haven’t said the big L word to each other yet. You appreciate the bigger picture of each other and every little detail becomes crystal clear in your eyes.

            For all the singles out there, you are not being left out of being more romantic if you find yourself watching the Notebook late into the night. While some say it can be found to be sad eating popcorn and crying to your TV or computer screen at night, it really is not. While you are not showing your romantic side to a spouse, when you do end up in a relationship you will not be blindsided by anything out of the ordinary. In hindsight you will be very grateful for watching all the RomComs now because later when you do find the love of your life, you will have lots of knowledge on romance and if your partner wants to learn a thing or two, you can cozy up on the couch to your favorite RomCom.

            So in conclusion, yes! Watching romantic movies makes you more romantic and helps improve your relationships. Sometimes romance movies are way too unrealistic, always with a happy ending and everyone can tell you that is not always true in real life. However, The pieces of small information like: never settling with someone who doesn't appreciate you to the fullest, keeping your heart open for opportunities, and always trying to understand what your spouse is going through. Being able to pick up on these little notions while watching a dramatic, funny love story. So next time you can not pick what to watch, think about a romantic movie if you want to be more educated about love.